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"My photographic record spanning roughly 10 years includes some people I've photographed multiple times since we first met
Kitai felt a sense of crisis that he had acquired photography techniques and developed his own style
A visual document by freelance editor Kyoichi Tsuzuki
between 1979 and 1980
while Fragnière explored the infinite possibilities of Japanese wooden structures
KAKERA SHABA "My photographic record spanning roughlyAfter gaining attention for his photographs of Dekotora (decorated trucks), Masaru Tatsuki turned his lens in 2006 toward the Tohoku region, immersing himself in its landscapes, cultures, and people, whose lives remain deeply intertwined with Shamanistic roots dating back to the Jomon period. Having published acclaimed works such as TOHOKU and GYOJIN, Tatsuki now confronts a new subject in his latest work: the fragments (kakera) of Jomon pottery.
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