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she intuits throughout her process the minimum amount needed to manifest the essence of what she calls “the fine line between perception and imagination of these relationships
harmonious visual structures such as concentric circular or linear patterns
the work emerges through a series of critical responses to previous decisions
It creates a drama that might not readily be associated with such a shallow space that includes subtle shifts and provides a perceptual twist that has a kind of electric visual charge
Image size: 80 x 60 cm/31
Club of Squares graphite and thread on canvas she intuits throughout her processThis work is part of a series titled "Flatland" paintings. They are works that consist of seemingly random squares on a painted surface that reflect the three dimensional world beyond the paintings immediate environment. The squares themselves are fashioned by a process of finding regular squares within the fluid lines of a freehand grid that run through the textured paintwork. If chance allows four lines to intersect to create a square, the oil paint
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